JAMES BERNSTEIN

AMERICAN INSTITUTE FOR CONSERVATION

INTERNATIONAL INSTITUTE FOR CONSERVATION      

   

FELLOW MEMBER

CONSERVATOR OF PAINTINGS & MIXED MEDIA

 
Procedure For Milling Paint.pdfLiterature_files/Procedure%20for%20Milling%20Paint.pdfLiterature_files/Procedure%20for%20Milling%20Paint.pdfLiterature_files/Procedure%20for%20Milling%20Paint.pdfLiterature_files/Procedure%20for%20Milling%20Paint.pdfLiterature_files/Procedure%20for%20Milling%20Paint.pdfLiterature_files/Procedure%20for%20Milling%20Paint.pdfLiterature_files/Procedure%20for%20Milling%20Paint.pdfLiterature_files/Procedure%20for%20Milling%20Paint.pdfLiterature_files/Procedure%20for%20Milling%20Paint.pdfshapeimage_1_link_0shapeimage_1_link_1shapeimage_1_link_2shapeimage_1_link_3shapeimage_1_link_4shapeimage_1_link_5shapeimage_1_link_6shapeimage_1_link_7shapeimage_1_link_8

LITERATURE

Varnish Application Fundamentals.pdf

BIBLIOGRAPHY Mastering Inpainting.pdf

Environmental Conditions for Successful Canvas Stretching

Selecting Artist Canvas for Painting

Stretching Unprimed vs. Pre-Primed Canvas for Painting

Stretcher / Strainer Frame Options for Canvas Painting

Stretching Canvas Face-Down, On-Edge or Face-Up

Unstretching and Restretching Existing Canvas Paintings

Protective Backing Boards for Canvas Paintings

INFORMATION SHEETS

MASTERING INPAINTING  Workshop Manual Excerpts

“A Remarkable Way to Stretch Canvases

(and Other Essentials of Canvas Preparation)”

JUST PAINT Issue 17, Golden Artist Colors

Inpainting Supply Sources June2010.pdfLiterature_files/Inptg%20SupplySourcesJune2010.pdfLiterature_files/Inptg%20SupplySourcesJune2010_1.pdfshapeimage_2_link_0

Procedure For Milling Paint.pdf